What secrets will they discover in the historic catacombs under London's city streets?
Molly's bookstore is tanking, her house & fridge are empty & cold...really, what is keeping her there?
How can she get her patient, Lenora, who's swaying on the staircase with a shotgun pointed at her father, out of the house before the earthquake takes them all down?
Narrio's on edge; is she his new contact, next lover or his assassin?
Gareth, Tess & their crippled son Taimin encounter murderous raiders as they scavenge in the scorched wasteland.
Will she simply decide to divorce him on this flight...or something more dastardly?
How did tiny Iceland create a finance institution from almost nothing that rivaled Wall Street?
Trust your introverted friends for wholistic, well reasoned advice.
©2025 rosemary cline
A classically trained, SAG-AFTRA actor based in NY,
Rosemary is first generation Armenian American and
a founding member, principal actor, director and
producer of a small professional theatre company in
its 41st season. Her training and experience with the
canons of many of the 21st century playwrights, as
well as the classics, is heard and felt in her character
creation and storytelling, while her work with comedy
and improv keeps her focused and nimble as a narrator.
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Her voice is described as lustrous, warm and grounded, filled with wonder and mystery. Think Queen Eleanor in The Lion in Winter meets Galadriel in The Rings of Power.
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Rosemary has earned degrees in Journalism, Physics, and Healing Science Training. You can find her cooking on YouTube as a co-host of Essenza di Gusto with her Italian nephew—a super talented chef. She is a grateful breast cancer survivor. Rosemary is also the founder and CEO of two successful startups. With her children safely off to college, she is pursuing an MFA in Creative Writing and Literature at Stony Brook Southampton.
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In life outside the booth or offstage, Rosemary spends her free time riding Joker, a 10-year-old gelding who dreams of being a stallion and who is just reckless enough. She loves distance ocean swimming and is compiling a cookbook of her mother's recipes paired with folklore and stories of growing up in her Armenian home with six siblings. Meanwhile, she is cooking her way through the NYT cooking app—125 recipes down and thousands to go!
Fiction
Romantasy
Courtroom Drama
YA Fantasy
Cozy Mystery
Thriller
Non-fiction
Finance
Self-Mastery
Main Characters
American Southern
Standard British
NY Outer Borough
New Jersey
Secondary Characters
Moroccan
Irish
Favorite Genres
(to read and narrate)
Accents
"From start to finish, Rosemary is professional, organized, and a true asset to the process. She clearly lays out the terms, sets realistic deadlines, and follows through on every detail right down to the technical production and final delivery.
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But what really stands out is her dedication to the craft. Rosemary takes the time to get to know each character, practicing voices and accents until they feel distinct and true to the story. She asks smart questions (like how to pronounce tricky names or regional quirks), and has even caught typos that slipped past ten rounds of editing. Yes, ten.
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Listeners and reviewers consistently comment on how she brings the stories to life, and I couldn't agree more. Her background in acting and directing shines through in every project, making her an ideal narrator for mysteries. But truly, her skill set would elevate any genre.
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I’m always grateful for the chance to create something alongside someone so thoughtful and professional. The world needs more people like her: kind, reliable, and genuinely invested in doing excellent work. Highly recommend."​
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—Kelly Brakenhoff, Author of the Cassandra Sato Mysteries
Review of Who's Afraid of Virginia Woolf
"Director George Loizides and the entire cast and crew are at the top of their game here, helping to deliver a trenchant and visceral version of Albee’s masterpiece. Nevertheless, this production belongs to Rosemary Cline. In one of the meatiest roles ever written for a female actor, Cline is incandescent, her decisions spot-on.
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Yes, her Martha is savage. But she’s also multifaceted, and occasionally even vulnerable. The more we learn about Martha, the more terrifying she becomes. But in Cline’s hands, she’s much more than a monster – though she can certainly feel like one on the page and is often played that way.
We’ve watched her tear into George, humiliate Honey and transform Nick from a confident young stud into an emasculated puddle – and she seemed to be enjoying herself. Nevertheless, as a key chapter of her story ends, Martha is devastated. You know that she deserves every inch of what she gets. But Cline’s reactions are so authentic that you can’t help but feel something besides schadenfreude for this deeply damaged woman and this hellscape of a marriage."
— Dan's Papers
let’s be in touch
